The human wish to make the picture that lived and moved as pantara from their expression, was the realisation from the form of the foundation animasi that lived developing. Said animasi that personally in fact the adjustment from words animation, that came from the root word to animate, in the public's England-Indonesia dictionary significant turn on (Wojowasito 1997). Generally animasi was an activity turn on, moved the inanimate object. An inanimate object was given by strength urging, the spirit and emotions to become the life and moved, or only made an impression lived. In fact, since ancient, humankind tried menganimasi the movement of the picture of their animal, like that was found by the experts purbakala in the cave of Lascaux Spain Utara, has been two hundred thousand years old more. They tried to comprehend the fast movement ran the animal, like celeng, the bison or the horse, was depicted by him with eight foot in the different and built-up position (Hallas and Manvell 1973).
Old Egyptians turned on their picture with the place of pictures of the wrestlers who were struggling, as the wall decoration. Made around 2000 before Masehi (Thomas 1958). The Japanese painting old showed a plot that lived, by presenting the roll of the painting, was made in the Heian period (794-1192) (ensiklopedi Americana the volume 19, 1976). Afterwards emerged the toy that was acknowledged as Thaumatrope around the age to 19 in Europe, took the form of the sheet of the thick carton disc, illustrated birds in the cage, that the two left sides right him was tied a rope, when being twisted with the hands will give the image of the picture of the birds moving (Laybourne 1978). Through to in the 1880 's, Jean Marey used the photograph implement beruntun recorded continually the movement flew birds, various human activities and the other animal. An implement that became the young coconut the future film camera lived that developed until this. And in 1892,Emile Reynauld developed the picture toy animasi ayng was acknowledged as Praxinoscope, took the form of the series of hundreds of pictures animasi that was turned and projected to a mirror to a movement of the film, a young coconut implement the future projector to the cinema (Laybourne 1978). The manufacturer's two beginners of the cinema film, came from France this, was regarded as the beginning opener of the development of the film of the technique animasi (Ensiklopedi AmericanavoLV1,1976) Ten years afterwards after the living film advanced fast on the end of the age to 19. In 1908, Emile Cohl the beginner from France made the film animasi simple take the form of figure the stick of the match. The series of pictures blabar black (black-line) was made on the white sheet, be photographed with the film negative so as that was seen by the figure became white and the background became black.
Whereas in the United States Winsor McCay made the film animasi “Gertie the Dinosaur” during 1909. The figure was drawn blabar black with the white background. Following in following years animator America began to develop the film technique animasi in and around 1913 to early 1920. Max Fleischer developed “Ko Ko The Clown” and Pat Sullivan made “Felix The Cat”. The series of pictures was made as simply as possible, where figure was drawn blabar black or the black shadow was united with the background blabar the black foundation or was made be the reverse. McCay made the formulation of the film with the calculation of time, 16 picture times in each movement second. Fleischer and Sullivan made use of the technique animasi sell, that is the sheet penetrated the look from the celluloid material (celluloid) that was mentioned “cell”. The other beginner in Germany, Lotte Reineger, in 1919 developed the film animasi the shadow, and Bertosch from France, in 1930 made the trial of the film animasi the discount with figure that came from wood discounts.
Made the trial of the film animasi the discount with figure that came from wood discounts. George Pal began used the doll as figure in the film animasi in short, during 1934 in the Netherlands. And Alexsander Ptushko from Russia made the film animasi the long doll of “The New Gulliver” in 1935. In 1935 Len Lye from Canada, began drew direct in the film after entering reform in the coloured film through the film of ”Colour of Box”. The Teknik development of the film animasi that was most important, that is in and around the 1930 's. Where emerging the film animasi speaking that was cleared by Walt Disney from the United States, through the film of ”Mickey Mouse”, “Donald Duck” and ”Silly Symphony” that were made during 1928 to 1940.
during 1931 Disney made the film animasi the first colour in his film of “Flower and Trees”. And the film animasi the first long cartoon was made by Disney during 1938, that is the film of “Snow White and Seven Dwarfs”. Was like this the origin of the film of the development of the technique animasi that continued developed the style and the typical characteristics respectively the manufacturer in various countries in Europe, in America and hindered until negara-country in Asia. Especially in Japan, the developing cartoon film was fast enough there, through to in this year decade controlled the film market animasi the cartoon here with the characteristics and his style that were typical.