Kimura Kaela Discography

Kaela Kimura (木村カエラ Kimura Kaera?) (birth name: Rie Kaela Kimura (木村カエラりえ Kimura Kaera Rie?), (born October 24, 1984) is a Japanese rock and pop singer, songwriter, model, and presenter.

Birth name 木村カエラりえ (Kimura Kaela Rie)
Also known as Kaela, Kae-chan, Amemo-Kaera[1]
Born October 24, 1984 (age 25)
Origin Tokyo, Japan
Genres Rock, Pop, Punk Pop
Occupations Singer, Songwriter, Model, presenter
Instruments Vocals, electric guitar
Years active 2002–Present
Associated acts Scha Dara Parr, Farrah

Albums:
1st Album:
[Kaela]
COCP-32989
12.8.2004

Track Listing:
01 untie (album take)
02 You know you love me?
03 Anokoro
04 happiness!!!
05 INVENTOR
06 D.T.S.
07 Level 42 (album take)
08 Dare
09 Because
10 weak
11 What ever are you looking for? (album take)
12 sola

192kbps
58mb
Download: http://www.megaupload.com/?d=ITHQ7Y24



2nd Album:
[Circle]
COCP-33522
3.8.2006

Track Listing:
01 Real Life Real Heart
02 tea cup
03 I Heart hug
04 BEAT (Album ver.)
05 Thrill Thrill Licker
06 Twinkle (NANA ver.)
07 You
08 PIONEER
09 Deep Blue Sky
10 Dancing Now
11 Circle
12 Hachimitsu
13 C-hildren

192kbps
79mb
Download: http://www.megaupload.com/?d=8A4A4MKX



3rd Album:
[Scratch]
COCP-34093
COZA-243 (w/dvd)
2.7.2007

Track Listing:
01 L.drunk
02 Magic Music
03 Snowdome
04 Wani to Kotori
05 dolphin
06 Sweetie
07 Kirin tan
08 Scratch
09 Swinging London
10 never land
11 Tree Climbers
12 Joey Boy
13 Ground Control (album mix)

192kbps
66mb
Download: http://www.megaupload.com/?d=YSFEYYIT


4th Album:
[+1]
COCP-34795
COZA-302 (w/dvd)
04.02.2008

Track Listing:
01 No Image
02 Jasper
03 Yellow
04 STARs
05 Famiredo
06 deja vu
07 Samantha
08 +1
09 No Reason Why
10 Kagami yo Kagami
11 Hayaru Kimochi-teki My World
12 1115
13 Humpty Dumpty

320kbps
105mb
Part 1: http://www.megaupload.com/?d=MUFH9YPR
Part 2: http://www.megaupload.com/?d=UVBNANNE



5th Album:
[Hocus Pocus]
COCP-35635
COZP-373 (c/w DVD)
06.24.2009

Track Listing:
01 Dear Jazzmaster '84
02 Moustache (album version)
03 Phone
04 Otome echo
05 Butterfly
06 Doko
07 Hocus Pocus
08 Another World
09 Season
10 Kimi ni Aitai
11 Jeepney
12 Banzai (album version)
13 Super Girl
14 Untitled

320kbps
120mb
Part 1: http://www.megaupload.com/?d=RCVKWX1E
Part 2: http://www.megaupload.com/?d=X230DLT7



Singles:
1st Single:
[Level 42]
COCA-15677
6.23.2004

Track Listing:
01 Level 42
02 What ever are you looking for?
03 Level 42 (instrumental)
04 What ever are you looking for? (instrumental)

160kbps
19mb
Download: http://www.megaupload.com/?d=OWDPZFK3



2nd Single:
[happiness!!!]
COCA-15701
10.27.2004

Track Listing:
01 happiness!!!
02 untie
03 happiness!!! (instrumental)
04 untie (instrumental)

128kbps
17mb
Download: http://www.megaupload.com/?d=R67X8IDF


3rd Single:
[Real Life Real Heart]
COCA-15748
3.30.2005

Track Listing:
01 Real Life Real Heart
02 Twinkle (original version)
03 Real Life Real Heart (instrumental)
04 Twinkle (instrumental)

320kbps
31mb
Download: http://www.megaupload.com/?d=62AM95B6



4th Single:
[Beat]
COCA-15795
10.5.2005

Track Listing:
01 Beat
02 Rock On
03 Beat (instrumental)
04 Rock On (instrumental)

192kbps
26mb
Download: http://www.megaupload.com/?d=EQN5WMR4


5th Single:
[You]
COCA-15830
1.18.2006

Track Listing:
01 You
02 Pioneer
03 You (instrumental)
04 Pioneer (instrumental)

192kbps
23mb
Download: http://www.megaupload.com/?d=7HGR9HZY


6th Single:
[Magic Music]
COCA-15899
6.28.2006

Track Listing:
01 Magic Music
02 Hungry like the CHICKEN
03 Magic Music (instrumental)
04 Hungry like the CHICKEN (instrumental)

192kbps
17mb
Download: http://www.megaupload.com/?d=T6RMQ7Q2



7th Single:
[Tree Climbers]
COCA-15926
9.6.2006

Track Listing:
01 Tree Climbers
02 Wani to Kotori
03 Tree Climbers (instrumental)
04 Wani to Kotori (instrumental)

192kbps
20mb
Download: http://www.megaupload.com/?d=GUY44J77



8th Single:
[Snowdome]
COCA-15944
COZA-241 (w/dvd)
01.17.2007

Track Listing:
01 Snowdome
02 Ground Control
03 Snowdome (Instrumental)
04 Ground Control (Instrumental)

192kbps
31mb
Download: http://www.megaupload.com/?d=KWEQ3LMV



9th Single:
[Samantha]
COCA-15995
7.18.2007

Track Listing:
01 Samantha
02 Honey B~Mitsubachi Dance
03 Samantha (instrumental)
04 Honey B~Mitsubachi Dance (instrumental)

320kbps
38mb
Download: http://www.megaupload.com/?d=MGK6FGZV



10th Single:
[Yellow]
COCA-16021
10.24.2007

Track Listing:
01 Yellow
02 No Reason Why
03 Dejavu
04 Yellow (instrumental)
05 No Reason Why (instrumental)
06 Dejavu (instrumental)

320kbps
42mb
Download: http://www.megaupload.com/?d=47GF30ET



11th Single:
[Jasper]
COCA-16050
COZA-291 (w/dvd)
02.06.2008

Track Listing:
01 Jasper
02 Dive Into Shallow
03 Jasper (instrumental)
04 Dive Into Shallow (instrumental)

192kbps
18mb
Download: http://www.megaupload.com/?d=B16HH0AX


12th Single:
[Moustache]
COCA-16164
09.10.2008

Track Listing:
01 Moustache
02 memories (original version)

320kbps
37mb
Download: http://www.megaupload.com/?d=RGB0LTPX


13th Single:
[Doko]
COCA-16200
01.28.2009

Track Listing:
01 Doko
02 Phone
03 Doko (instrumental)
04 Phone (instrumental)

320kbps
31mb
Download: http://www.megaupload.com/?d=8YUEPZ5K



14th Single:
[Banzai]
COCA-16238
COZA-362 (w/DVD)
05.08.2009

Track Listing:
01 Banzai
02 Hocus Pocus
03 Banzai (instrumental)
04 Hocus Pocus (instrumental)

320kbps
36mb
Download: http://www.megaupload.com/?d=ZFMGO5DT

Animation in Litigation - An Interview With David Marbach

The power of animation to depict and persuade makes it a natural fit for numerous applications, from advertising to training to product documentation. One industry that has seen a multimedia boom in recent years is litigation. Animated reconstructions have become so commonplace in many types of cases as to be expected.

I recently had a chance to talk to David Marbach, a litigation support professional who has used animation frequently in his work.

Solid Blue Development: Tell me a little bit about your experience in the legal profession and your current position.

David Marbach: I have been in the Litigation Support field for 10 years now with various law firms and corporate entities. I currently manage the Legal Technology department at a large law firm where we work very closely with our attorneys on Electronic Discovery matters and large-scale document reviews and productions.

SBD: How have you used animation in legal cases? For which kinds of cases is animation most useful?

DM: I have used animation in approximately a half-dozen cases. Most of the cases were product liability cases; one was medical malpractice and one was a negligence tort involving a slip-and-fall in a department store. Animations are most useful when they accurately summarize and simplify a complex mechanism or physical situation.

SBD: During mediation, an animation demonstrating the expert testimony a jury would hear at trial can have a profound impact on the opposing party. How can this convince them to settle during mediation? If they hope to capitalize on any confusion resulting from complex testimony at trial, how can an animation that clearly represents this testimony convince the opposing party to settle?

DM: Because of the cost and attention necessary for producing animations, they are rarely used during pre-trial alternative dispute resolution. The earlier in a case that they are unveiled, the higher the chances that the opposition will find a way to exclude them from trial. Animations are normally kept as "ace-in-the-hole" exhibits, however it's possible that they could be brought out during mediations to show how easy it would be to present one side of the dispute in a clear and convincing manner to the jury.

SBD: Admissibility as evidence is key to using animations effectively. How can a side ensure the animation will be admissible if the case goes to trial?

DM: It is virtually impossible to ensure admissibility of an animation unless every single facet of the clip can be substantiated by irrefutable facts. Thus, it is very important to keep animations very, very simple and not take any artistic license. Any deviation from or exaggeration of a physical situation is likely to be objected to -- potentially making the entire animation inadmissible.

SBD: A South Carolina court recently stated that concerns about the prejudicial effect of animations "are diminishing as judges and the public become more familiar with computer technology." How does this familiarity, as well as the opportunity for cross-examination of witnesses at trial, impact the risk of prejudice for animation?

DM: In "Chicago", Richard Gere is ready to speak to the jury when the announcer says, "Ladies and Gentlemen! A tap-dance!" The courtroom is not show business, but only in the same way that an election isn't a popularity contest. There are a set of rules that everyone must follow. This does not mean that you cannot make a fantastically effective presentation while operating within these rules.

The prejudicial effect of animations is certainly being negated as juries begin expecting multi-media presentations to clearly state an argument.

SBD: It seems that communication between the animator and the legal team presenting the case is critical to producing an accurate, admissible animation. How do you ensure that the animation faithfully represents spoken testimony?

DM: More importantly, an animation must represent the irrefutable facts of the case. An excellent way of ensuring this is by looking to facts and evidence presented by the opposition. Attorneys are obviously less inclined to object to facts they themselves have admitted.

SBD: How might a plaintiff's use of animation differ from a defendant's?

DM: A common mistake is to think that plaintiffs' presentations are more fantastic or flashy than those of defendants. All litigants are subject to the same laws and balancing test between the probative value and the potential prejudicial effect of any piece of evidence.

SBD: In practical terms, what are some of the limitations of animation for trial use? What can animation not accomplish?

DM: Animations absolutely cannot show or imply any fact not absolutely substantiated by undisputed evidence. It's greatest purpose is to reinforce, not reinvent or in any way alter the facts.

SBD: While animation can never completely replace descriptive narrative, when an entire courtroom views an animation - judge, witnesses, jury, everyone - and the events depicted are determined to be substantially true, how important is it in establishing the facts of a case? How much persuasive power does an accurate animation hold?

DM: Animation can be unbelievably effective in summarizing a particular version of the facts in a case. It's power lies not only as a tool for effective communication, but in making a series of events tangible to a jury. Chances are, when deliberations begin on a case, the jury will immediately begin talking about closing arguments and effective animations and multi-media presentations. These are the parts of a trial that stick in their mind and help to decide cases.